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| Also Known As: | Ernest Frederick Mcintyre Bickel | Died: | April 14, 1975 |
| Born: | August 31, 1897 | Cause of Death: | cancer |
| Birth Place: | Racine, Wisconsin, USA | Profession: | actor, model, bank clerk |
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Distinguished stage actor and one of Hollywood's most celebrated, versatile stars of the 1930s and 40s. March's roles ranged from light comedy ("The Royal Family of Broadway" 1930) to horror ("Dr. Jekyll and Mr. Hyde" 1932) to melodrama ("The Best Years of Our Lives" 1946). His classically trained voice and engaging good looks highlighted a number of period pieces, such as "Anna Karenina" (1935), but he seemed more at home playing contemporary characters like the fading actor in "A Star Is Born" (1937) and the exploitative reporter in the biting comedy "Nothing Sacred" (1937). March was married to actress Florence Eldridge (who died in 1988), opposite whom he appeared on stage and screen, from 1927 until his death.
Distinguished stage actor and one of Hollywood's most celebrated, versatile stars of the 1930s and 40s. March's roles ranged from light comedy ("The Royal Family of Broadway" 1930) to horror ("Dr. Jekyll and Mr. Hyde" 1932) to melodrama ("The Best Years of Our Lives" 1946). His classically trained voice and engaging good looks highlighted a number of period pieces, such as "Anna Karenina" (1935), but he seemed more at home playing contemporary characters like the fading actor in "A Star Is Born" (1937) and the exploitative reporter in the biting comedy "Nothing Sacred" (1937). March was married to actress Florence Eldridge (who died in 1988), opposite whom he appeared on stage and screen, from 1927 until his death.
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CAST: (feature film)
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Education
Notes
When March's 1938 return to Broadway in "Yr. Obedient Husband" was a resounding failure, he and Florence Eldridge placed an ad in the trades that showed a sketch depicting them as two trapeze artists missing each other's grip in midair. "Oops. Soory!" read the caption.
"It has been my experience that work on the screen clarifies stage portrayals and vice versa. You learn to make your face express more in making movies, and in working for the theater you have a sense of greater freedom." --Fredric March, quoted in his The New York Times obituary, April 15, 1975.
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